MiataDrivers - The Last Sane Man: Michael Cardew: Modern Pots, Colonialism, and the Counterculture (The Paul Mellon Centre for Studies in British Art)






[PDF.he67] MiataDrivers - The Last Sane Man: Michael Cardew: Modern Pots, Colonialism, and the Counterculture (The Paul Mellon Centre for Studies in British Art)
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 | #1594421 in Books |  2013-01-08 | Original language:English | PDF # 1 |  10.07 x1.38 x7.67l,3.42 | File type: PDF | 380 pages

||5 of 6 people found the following review helpful.| ...for what it is.|By Sarah C. Judson|Who was it that said you can list a mile of facts about a person and still miss the essential?
There is a qualitative difference between what was written by Michael Cardew and what was written about him...like the difference between a Spanish mustang and a cowpony, or between a wolf and a dog. Same species, different spirit. The questi| |
"Perceptive [and] impeccably researched . . . .The intensity of Harrod’s lens reveals this ‘grand amateur’ – who never wanted his biography written – as a fascinating and wilful figure, whose life encompassed an incon

The British studio potter Michael Cardew (1901-1983) was a man of paradox, a modernist who disliked modernity, a colonial servant who despised Empire, a husband and father who was also homosexual, and an intellectual who worked with his hands. Graduating from Oxford in 1923, training with the legendary Bernard Leach, he went on to lead a life of pastoral poverty in Gloucestershire, making majestic slipware and participating in the polarised design and political debate...



You can specify the type of files you want, for your device.The Last Sane Man: Michael Cardew: Modern Pots, Colonialism, and the Counterculture (The Paul Mellon Centre for Studies in British Art)   |  Tanya Harrod. I really enjoyed this book and have already told so many people about it!

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